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The Social History of Smoking

George Latimer Apperson

Chapter 10:

In this same book Thackeray says ironically—"Think of that den of abomination, which, I am told, has been established in some clubs, called the smoking-Room." The satirist was very familiar with the smoking-room at the club he loved well—the "Little G."—the Garrick. The original Garrick club-house was at 35 King Street, Covent Garden, where the club was founded in 1831. It had formerly been a quiet, old-fashioned family hotel, but apparently was not furnished with a smoking-room, for one of the first acts of the club, when they obtained possession of the house, was to build out over the "leads" a large and comfortable smoking-room. Shirley Brooks said that this room, which was reached by a long passage from the Strangers' Dining-room, "was not a cheerful apartment by daylight, and when empty, but which, at night and full, was thought the most cheerful apartment in Town." At other clubs of more fashion, perhaps, but certainly of less good-fellowship, smoking-rooms made their way more slowly. At White's, smoking was not allowed at all till 1845. The Alfred Club, founded in 1808, which Lord Byron described as pleasant—"a little too sober and literary, perhaps, but, on the whole, a decent resource on a rainy day," and which Sir William Fraser called "a sort of minor Athenæum," owed its death in 1855, if report be true, to a dispute about smoking. One section of the members wished for an improved smoking-room—they called the existing room, which was at the top of the house—an "infamous hole"—while the more old-fashioned and more influential members objected to any improvement. The latter carried the day, but the consequent loss of members ruined the club, which soon after ceased to exist. This secession must have been subsequent to that of the bishops, of whom at one time many were members, but who left, it is said, because of the introduction of a billiard-table!

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:

Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.

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